Blossoms - Enmore Theatre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Blossoms

Enmore Theatre

15 March 2025

 

Sometimes I question whether it is it worth it. Going to gigs that is. Being honest, travelling to another city to see a band is kind of crazy. First of all, there’s the expense, then there’s the hassle of being away from home. Often, I travel by myself, as I find it hard to get someone to come with me. That isn’t the easiest thing in the world. In short, it’s a lot of effort. Is it worth it?

 

This question is brought into sharp focus when the band you want to see is a support band and they’re guaranteed to play a short set.

 

It has to be said that there aren’t many advantages to being an Australian fan of UK music. They’re not always part of the cultural zeitgeist, so it’s hard keeping up with any current news and releases. Back when you had to actually buy records, they were often imports at inflated prices, and you had to wait months to get them. Finally, the bands hardly ever tour here. But when they do come you need to grasp the opportunity with both hands. I wasn’t going to let this opportunity go to waste. 

 

One of the advantages of seeing UK bands, however, is the chance to see them in relatively intimate venues. Blossoms (from Stockport, just outside Manchester) were supporting Kasabian and they played the relatively small Enmore Theatre, as compared to their recent hometown show to 30,000 fans!

 

It was almost like seeing them when they were just starting out. The stage props were non-existent, their lighting show was rudimentary. But the songs! Oh my god the songs! With only a limited time for their set, they focussed on their big hitters and they knocked it out of the park. They played a set that picked the eyes out of their five album back catalogue.

 

They were incredible. Really incredible. All those years of performing on larger stages really showed. They are a band that knows what they’re doing. Tight, but also loose. Note perfect, but also willing to cut loose when required. Having an arsenal of great songs definitely helps, but knowing how to perform them is essential.

 

Yes, the set was too short. Yes, I travelled too far to see them. Yes, it was a big effort. But would I do it again? Yes, no question. In a heartbeat. It was definitely worth it!

 

A postscript.

 

As Blossoms were the support band, I had found myself at the front barrier for the set, but decided that I wasn’t really interested in Kasabian so I went to the back of the theatre to watch them. After watching a handful of songs of the headliner I’d had enough, so decided to leave the venue. As I was walking out, I ran into the lead singer and drummer from Blossoms!!! Unbelievable! I told them that I’d travelled 300kms to see them and that they were amazing! I asked for a selfie (and they happily obliged). I shook their hands and went home very happy!

Kylie - Qudos Bank Arena

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kylie feels like family. She’s a bit like your cool older cousin. When you were growing up, she had all the cool friends, knew all the great music, always made you felt included. Her concert felt like she was hosting a party and you were invited. The overwhelming feeling is of love in the room. It wasn’t just because it was Mardi Gras weekend (that certainly helped), but you could definitely feel it. She loves her audience, and her audience loves her back.

 

She pointed out that she has spent her whole life on stage. And it showed. She was so comfortable on stage, engaging with the audience, dedicating songs to them (one person had seen her 30 times!) bringing them on stage (a beautiful moment where the lucky recipient couldn’t believe he was so close to his idol) and making everyone feel included. I think that’s part of her appeal.

 

I know Taylor Swift has (probably) trade marked the phrase “era” but Kylie has more than a few eras of her own. With nearly 40 years of hits she had a lot of ground to cover, but she had something for everyone and I think everyone went home happy.  

 

She wasn’t embarrassed by her 80s pop. In fact, Locomotion was a highlight. A time machine (her words) that brought the whole arena back to their youth (let’s be honest, we were among our people). But she also affectionately sang I Should Be So Lucky and Hand On Your Heart from the Stock, Aitken and Waterman years.

 

Her fantastic 90s songs (Better the Devil You Know, Shocked, What Do I Have To Do among others) were highlights. But this isn’t entirely a nostalgia show, her more modern songs fitted in seamlessly into the set. Her recent hit Padam, Padam, the timeless Can’t Get You Of My Head and a selection of songs from her most recent albums were also winners. 

 

Who would have imagined that she would be more popular than ever in 2025? It’s hard to believe that some people (ok, it was me) once thought that she was uncool. She is 100% authentic. She feels like that person you first met on Neighbours in the 80s. She feels like someone you’ve known your whole life. She feels like family.

Coldplay - Marvel Stadium Melbourne

 

Have you ever wondered how your favourite musician arrives for a stadium show? If, like me, you imaged they’d arrive by limo, or at the very least a minivan driving into the depths of the stadium, I can confirm that Chris Martin walked to Marvel Stadium.

 

I decided that we would go to the stadium a day early to get some merch, mainly so that we wouldn’t have to bother on the day of the show. Walking back to our accommodation, right next to the train station with hundreds of other Coldplay fans making their way to the stadium (about 500 metres away from the venue), I was following my children and out of the corner of my eye I saw a familiar face walking with purpose in the other direction towards the show.

 

Oh my god, that’s Chris Martin.

 

I knew I had only seconds to act. The exact recollection of events differ, depending on who you ask, but my children say that I took off like a scalded cat and ran towards him. He had a female body guard (I think this is relevant – it wasn’t what I would have expected and meant that he didn’t draw attention to himself) walking about 2 metres behind him. I ran up to him. She intervened and said “you shouldn’t run towards anyone”. To which I apologised (I immediately backed away) which I think diffused the situation. I think she clocked me as a “harmless fanboy” (true). She stepped back. I then shook his hand. More reliable witnesses than me (i.e.my children) say that I don’t meet old friends like I said hello to him. I was much more effusive. My right hand was shaking his hand and my left was on his shoulder. I think I was holding onto him like I couldn’t believe that he was real. I introduced myself and said that I was really looking forward to tomorrow’s show. He said “nice to meet you brother” and then he was on his way. Powering towards the stadium. Clearly, he couldn’t stop – the hundreds of other fans around would have swarmed him. I can’t believe that no one else recognised him.

 

The interaction lasted mere seconds. But I doubt I’ll ever forget it.

 

It was just as well I had a day to bring myself back down to earth before we attended the show.   

 

The concert itself was a thrilling spectacle, but also a very human experience. Coldplay started the gig like most bands play their encore. Five big hits (Adventure of a Lifetime, Paradise, the Scientist, Viva La Vida among them), with streamers, confetti, light up wrist bands, beach balls. They threw everything at the crowd and it was fantastic. You can only do that if you’ve got enough songs left in the tank for the end of the set that are equally as good. Coldplay have that.

 

The show didn’t let up and they embraced songs from their whole career. It’s hard to articulate what was so special about it, and I think you need to be a believer, but there was a balance between being slick and also allowing themselves to make mistakes. It was a huge show, but also intimate. There were a couple of mistakes. Chris Martin fell through an opening in the stage. That definitely wasn’t planned. He fortunately wasn’t injured and continued with the show.

 

Throwing in old favourites like Clocks, and the perennial Yellow mid set is brave. Other bands would have saved them for the end of the show, but they were certainly well received. The encore started with Fix You, not before Chris Martin flubbed the opening line of the song. But that was endearing. He got the band to start again by saying “let’s play Fix You … by Coldplay”. Maybe you needed to be there. But it was great. It was human. They played a couple of upbeat new songs to finish and, yes there were more streamers, and confetti, and fireworks and it was spectacular.

 

You might not like that the band have fully embraced pop, rather than rock. Or that their lyrics are a bit twee. Or that they are desperately uncool. It’s telling that the support acts came from Zimbabwe, Australia (via Iraq) and Nigeria. In Coldplay’s world, they want everyone to feel welcome and don’t want to be limited in what they can express. I think they achieved that.

 

While I can confirm that Chris Martin walks to the stadium, the gig itself was anything other than pedestrian.

Olivia Rodrigo - Qudos Bank Arena

 

The National - Accor Super Theatre

 

The National

Super Aware Theatre

1 March 2024

 

 

Getting a souvenir from a concert is always special. Usually, you have to buy a t shirt. Sometimes, if you’re really lucky, you can get a guitar pick, and if you come away with something like a setlist, you’ve done very well indeed! But sometimes you get even more than that.

 

I like to think of The National as a bit like the cooler friends you had at uni who formed a band and played at parties. The difference is, unlike your friends, the National can actually play and write music brilliantly. It was the kind of show that you might expect at a uni bar but writ large. There wasn’t a fancy light show and there were no costume changes. But the band was loose and happy to be on stage. 

 

When they were starting out, Michael Stipe from REM told the National in order to have a long career they either needed to have lots of hits, or none at all. They choose the latter option. But for a band with no hits, they’ve certainly got a lot of great songs. They’ve had a 20 year career and the show touches on every point in it. From their early successes to tracks from the two albums released last year, the setlist features songs from throughout their catalogue. A sign of how they’ve maintained their quality control is that the newer songs more than hold their own against the early classics. They don’t rely on their biggest albums to fill their set.

 

In the middle of the show, I remember thinking that this is what all rock bands should sound like. They were powerful. They rocked hard. But they also had a light melodic touch and they were engaging performers.

 

Lead singer Matt Berninger went into the crowd at a number of points in the show and the excitement level in the crowd certainly went up a notch. It was a great way to make an immediate connection with the audience. He didn’t rely on a wireless microphone. He must have the longest microphone lead in the music business. He walked 100 metres into the crowd and having this physical link to the stage somehow made this adventure even more compelling.  A side note is that his microphone roadie must be the hardest working person in showbusiness. How no one got injured is a miracle.

 

It was one of the things that reminded me of when you saw small indie bands playing in tiny venues. The lead singer goes into the crowd to get your attention. Tick. The guitarists stand at opposite sides of the stage and try to ‘out rock’ each other. Tick. The lead singer gives away his shoes at the end of the gig? Tick. The rhythm section stays mostly in the background, but still look effortlessly cool. Tick. Wait… The lead singer gave away his shoes? Yes, that’s true. That’s a cool souvenir! That’s hard to beat! But someone even went home with the mic stand.

 

It was that kind of gig!

Taylor Swift - Accor Stadium Sydney

 

Taylor Swift

Accor Stadium

26 February 2024

 

 

 

There’s nothing that irritates me more than when old white men (yes, I know…) dismiss Taylor Swift. The secret to Taylor Swift’s success is simple really. She’s got great songs. And she got a lot of them. For my money she’s the best songwriter to emerge this century and one of the best of all time. Don’t take my word for it though, no less a songwriter than Paul McCartney (a man who knows his way around a song) rates her highly and has even said that he’s been inspired by her work. Case closed.

 

Actually, there is one thing that irritates me more than people dismissing Taylor Swift. It’s people dismissing her fans. Like they’re too young or too female to know good music. Not only is that factually incorrect, but let me tell you that the kids know exactly what is good music They are the first generation that has access to the entire history of music at their fingertips. If they like a band from, say, the 70s they’ll listen to them. But they don’t. They listen to Taylor Swift and the reason is simple. I’ve already said it, but she writes great songs that connect with them.

 

The show itself is incredible. Did I mention her songs? She’s got a lot of them and by now we all know she’s playing them as mini sets that represent all of the eras of her career.  Each of these mini sets is more impressive than the previous one. She starts with Lover, and the reaction is instant. It might not even be her best set of songs, but there’s something about being in the presence of a master that you can’t help but get swept along with. It’s a bit like Beatlemania. We all know how hard it was getting tickets to this show and how lucky we are to be there. In that first set of hers, it hits home! We’re in the room. And she’s right in front of us. All those hours in the Ticketek queue were worth it!

 

Her early country years are covered with Fearless and Speak Now, both showing her musical prowess. I’m not sure it needs to be said, but she’s a great musician and she’s got a great band on stage. Yes, that comment is for the old white guys reading.

 

In her indie years (Folklore and Evermore) she turned her not inconsiderable song writing talents to story songs, rather than personal confessionals. Both of these sets were a definite highlight and also illustrate that the tour works because each of the Eras has a different vibe to the others.  She’s got lots of distinct periods and she covers them all.

 

The best mini set might have been when she plays Reputation. I don’t think it’s my favourite album of hers, but the production and song choices were a real highlight. They took things up a level. That is, until she did the Red set. That took it up another level again. Amazing!  1989’s pop gems turned the stadium into a huge party and then she tied the whole show together with her Midnights set. Each set outdoing the previous one. It was incredible.

 

Let’s be honest, in my time I’ve seen more than my fair share of artists. The Eras Tour was easily one of the best concerts I’ve ever seen. Taylor Swift was as good, or better, than most of the artists I’ve seen. Yes, even the ones revered by those old white men that dismiss her.

Simple Minds - Sydney Opera House

 

Simple Minds 2024

Sydney Opera House

8 February 2024

 

“Stick with me kid, and we’ll play there”. 

 

These are the words that Jim Kerr said to Charlie Burchill, pointing to the Sydney Opera House, on the night they first arrived in Sydney from Glasgow in 1981.

 

It took 43 years, but they finally did it. Ever since then, it has been a mutual love affair. Australia have taken the band to heart and the band clearly love being here. There’s a warmth to the stage banter that is impossible to fake. If we have learned anything in the last few years, it’s not to take anything for granted. The band certainly didn’t.

 

The gig felt a bit like a victory lap.

 

For a band that have had a 40-year career they did a remarkable job of covering all the bases. It’s no secret that I think the early years of Simple Minds were when they were actually cool. Hard to believe I know. But songs such as Love Song, I Travel, Themes For Great Cities are all early art rock classics. They remind us what an innovative and experimental band they were.

 

Then, Simple Minds became a bit like U2 (not necessarily a compliment) and their catalogue started to fill up with stadium anthems, Alive and Kicking, Sanctify Yourself and Don’t You Forget About Me. Without them, you doubt they’d still have a career 40 years later, and everyone was very happy to hear them.

 

Then there’s the undisputed classic album New Gold Dream. The band are no fools, so about half of this album makes the set. A great decision as these songs were all highlights. How can you go past the timeless title track, or Promised You a Miracle or Someone, Somewhere in Summertime?  

 

There are a few songs from the 90s (not a particularly fertile period for the band) and, of course, they throw in a couple of new songs. They’re not bad. They show that there’s still life in the band and while not reaching the heights of the classics, show they’re still a creative force. 

 

They must have played every other venue in the city, from the smallest bars, to the Entertainment Centre and everywhere else in between. But when they got their chance at one of the most prestigious venues in the world, they did themselves proud.